![]() ![]() So Premiere cannot show the exact image correctly as you aren't giving it the environment it needs. That BenQ monitor is not actually set correctly out of the factory. ![]() IF your entire ecosystem is set for broadcast standards of video sRGB, profile of Rec.709, D6500, gamma 2.4, and 100 nits brightness.Īs long as that IS your system setup, in and out of Pr using Or, Potplayer, and VLC will show a very consistent image. Those are set very precisely to show accurate images. Premiere is tightly color managed including the internal monitors. Your thinking on this is unfortunately missing crucial data. Then anything out of Pr will import say into Resolve in that app's RCM color managed mode. Video sRGB, gamma 2.4, D6500 and 100 nits. Premiere is built around the user setting up the exact, proper viewing environment. Prior to my detailed, manual calibration/profiling. after profiling, manual adjustments, and then calibrating/reprofiling, I have a wonderful 4k monitor. Perfect 2.4 gamma, perfect D6500 white point at 100 nits, and the delta-E variant curve had nothing even approaching the visible level of 2.3. calibrated using the i1 Display Pro puck/software, THEN ran a profile using Lightspace and Resolve together. This allowed enough headroom for the following calibration to move the three color channels and still make 100 nits after all corrections. So I set the white point manually to D6500, checked through Lightspace (free) using my Xrite i1 Display Pro puck, at around 107 nits. ![]() and the color profile up the scale was WAY above the delta-E max variant level of 2.3. Profiled in Lightspace, the whites were around 245 nits, more than double the proper 100 nits level. Which is nowhere near usable for proper work with Premiere. And yes, it comes with a "pre-calibrated" video sRGB mode. ![]()
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